Oliver Michaels at Shoshana Wayne: “An installation of seven new sculptures, each structure acting as a stage for the projected videos. These videos animate images of sculptures taken from museum postcards so it appears the figures are talking.”
Jonathan Lasker at LA Louvre.
Larissa Bates at Richard Heller.
… the obsessional neurotic … is frantically active in order to prevent the real thing from happening. Say, in a group situation in which some tension threatens to explode, the obsessional talks all the time in order to prevent the awkward moment of silence which would compel the participants to openly confront the underlying tension. [...]
The proper Deleuzian paradox is that somethinmg truly New can ONLY emerge through repetition. What repetition repeats is not the way the past “effectively was,” but the virtuality inherent to the past and betrayed by its past actualization. In this precise sense, the emergence of the New changes the past itself, that is, it retroactively [...]
Per Douglas Brinkley in the May issue of Rolling Stone:
Dylan spends most of the afternoon of April 9th at the Rijksmuseum in Amsterdam. I am not allowed to come along. But later he recaps to me what crossed his mind, like who his favorite artists are. “Well, of course, Jackson Pollock and Mark Rothko are [...]
Glendale
Arnold Boecklin, Island of the Dead, 1883
Vito Acconci, Seedbed (1972)
Matthias Hermann, Cum (1994/5)
Jordan McKenzie, Spent (2007)
Jackson Pollock, Lavender Mist (1950)
Masturbation is a metaphor for isolation. Guillermo Arriaga